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onethrewseven

by Wyatt Davis, Scott Mcrae

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1.
a song is for all those dying of thirst in puddles of mud, blood, meat and dirt there is no time to put to trial the crimes of clockwork ticking finely to the pounding drum heart beating hum and the call of the deep and menacing wild i’d then wonder which heaven we’ll go when we die which heaven wakes when I close my eyes this love is for those who stir and bloom breaking down shaping bright blue dorm room composing the sound of open air in bright black dark with fare momentary cause dizzying spells through mirrors and glare incantation of open air
2.
Symbiotic in creation Jason, hears the rippling waves leave the stage, as blood runs down his face, he feels a crippling abandon cause he can’t grieve for age, he’ll take his 40oz and sip it on caldwell, there’s a tickling inside his feathered chest, tethered by thoughts easier unexpressed The alley slowly lost its faint warm glow, as a giant emerged from the sewer system down below, says “I missed my train, and all the good eggs were cracked” she stood there shivering, her dress torn down the back The memory may be a fantasy, I still long for her to dance with me, as Abel Gance shoots impressions of our silhouettes, marionettes for his majesty, we’re fallacies without intention, a benevolent infection, hamburger kids, smoking newports, falling further, acid, irrelevant decay, snorting sawdust, in a cosmic disarray
3.
white puss, open wounds unclosing ozone floating far over me the auburn colored chair, there next to me will not be there look away there is an action between us not in the wooden frame/grave there is a colorlessness around my vision but what i see is clear
4.
5.
Collected cards, baseball and pokemon, neglected guards, pace in their aprons, erasing with grace, the chalk etched in the pavement, patents, stretched their arms, with drenched foreheads, their patient, they wet their beds and confess to ignoring their, forsaken foreskin, comfort is a commodity, bodies misshapen, their slumber reduced to sweaty dreams A red haired child spoke of the last morning, “before our tummies were aching, and our faces deforming, papa was a drunk but I still miss him snoring, completing puzzles and ignoring the ancient retreating muzzle fire from the architect misleading the lonely choir”
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8.
i cannot measure the distance between the red light and the tower and the telephone wire according to my vision from where i sit in the cold light in the cold evening they are nearly parallel, slightly askew to that they would meet at one end and diverge eternally on the other the buildings collected their sharp angles to bundles for me to calculate i will never calculate them i'll sit by the trash cans bathed in honey, cold light waiting for mo to call the big ship plays on my phone i'll wait patiently and alone
9.
oh fleet fickle autumn your bite has left its mark on my handwriting in orange ashes, from trash cans, I write to you fighting and trying baking in batches living through tragedy oh no in grandfather’s garden, the clay you pressed your thumb in is waiting by the roses and chives in ashes, I cry oh fleet fickle autumn your bite has left its mark on my handwriting in orange ashes, from trash cans, I write to you
10.
Rhonda was a wine drinker, only heard half speech, the physical is consequential, her spine contained, a soul too bored to save, on Valentine’s Day she’s out at the pictures, a sprinkler wakes her up, then drops a coin into the cup, the man with one eye says “I’m prone to forget yah but the reverend says it’s a crooked road, if it’s a never ending story it’s already been told, that’s just the sound of an open window” she kissed his forehead, became obsolete, instead of looking upwards, he stared out into the street, she had missed the dread of a lover

credits

released August 26, 2018

-collaboratively written and recorded by Wyatt Davis and Scott Mcrae
-production and arrangement by Wyatt Davis

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Wyatt Davis & Scott Mcrae Nashville, Tennessee

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